Kat’s Musings

Tag: life

Beyond Karma: Ego, Suffering, and What the Universe Really Tests

Do you believe in karma?

The idea of karma has always sat uneasily with me. On the surface it feels simple, almost tidy. Be decent. Do not be cruel for sport. Do not treat people like they are disposable. The universe will eventually even the score. If you are rude, selfish, or vicious, something will come back around and collect the debt. That version of karma is easy to repeat because it sounds moral and useful. It also flatters us a little. It suggests the world is keeping score, that character is not wasted, that meanness is not free.

Then the obvious objection arrives and the whole neat story starts to buckle. What about children? What about babies who die of disease before they have had a chance to form a lasting thought, let alone a pattern of action? If karma is personal payback aimed at the child, the idea becomes grotesque. A three-month-old does not have a ledger of cruelty. A toddler with leukemia is not being taught a lesson about last year’s gossip. I do not believe the sick child is the one being sentenced. That picture is too small and too cruel. It turns a baby into a moral invoice.

A winding mountain trail leads through lush hills toward a glowing sunset beneath stormy clouds.

What I do believe is harder, and I know how it sounds. I think the test is aimed at the parents. I think the punishment, if that is the word, is meant for them. Not because every grieving mother or father is secretly a monster. I am not saying that. I am saying the blow does not land on the child as a completed person with a history of choices. The child is the point of impact. The parents are the ones left standing in the blast. They are the ones who have to keep living inside a world that just proved it can take the one thing they would have died to protect. That is a test of a different order. It does not ask what a baby deserved. It asks what the adults become when the worst thing they can imagine stops being imaginary.

I hold that view loosely because I cannot prove it, and because it is ugly enough that I would rather be wrong. But the popular story — that disease is the child’s karma — has never made sense to me. The child’s body is too new to be the courtroom. The parents’ lives are where the sentence continues. Sleep, marriage, faith, work, the sound of a quiet house, the question of whether they still believe anything is watching. That is where the weight stays.

A rustic woodland balance scale contrasts natural treasures with scattered broken mirrors.

The same cheap version of karma gets applied to ego. A lot of people talk as if walking around with an inflated sense of yourself is a spiritual crime, something the universe will eventually tax. Be humble. Shrink. Remember you are nothing special. I have heard that sermon my whole life, and I do not buy it. I personally believe ego is good. Not the kind that needs to crush other people to feel tall, but the kind that looks in the mirror and decides, without apology, that you are the greatest. That belief has helped me more than being “humbled” ever did. Being told I was a piece of shit never made me kinder, stronger, or more useful. It just made me smaller. Believing I was exceptional gave me a reason to act like the work mattered.

I think the universe tests us. Not always individually, and not always fairly in the way a courtroom is fair. Sometimes the test is private: loss, illness, humiliation, a long season of being unseen. Sometimes it is public and collective. A flood, an earthquake, a plague, a famine. Those events do not look to me like the universe picking out the guilty children and smashing them. They look like pressure applied to the people who have to answer for what happens next. Pressure builds diamonds. Who runs toward the wreckage. Who hoards. Who lies. Who builds again. Who uses the disaster as an excuse to become smaller. In the case of a sick child, the wreckage is a crib, a hospital hallway, a diagnosis. The test is not the infant’s character. The test is whether the parents collapse into bitterness, vanish into numbness, turn on each other, or somehow remain capable of love in a world that just showed them it does not negotiate.

Rough stones and brilliant diamonds illustrate how pressure can create lasting value.

That is not the same as saying the suffering is good. It is not. The point is not that a dying child is a gift wrapped in pain. The point is that the event exposes the real architecture of the people left behind. Comfort hides it. This kind of grief does not.

There is an old line that keeps coming back to me: the toughest soldiers always have the heaviest cross to bear. It mixes two languages, military and religious, but the meaning is plain enough. Capacity and burden often travel together. The person who can carry more is often given more to carry. Not because the universe is sadistic for sport, but because weight reveals strength that lighter loads never would. I will not pretend that makes a child’s death just. It does not turn a nursery into a proving ground for the baby. If there is a soldier in that picture, it is the parent. The heaviest cross is not laid on the one who never got to live long enough to understand the metaphor. It is laid on the ones who have to carry the body of the story afterward.

Ego belongs in that picture too. A crushed self does not carry a heavy cross well. A person who has been trained to think they are worthless will fold under pressure and call the folding humility. I would rather go into the test believing I am built for it. That does not mean I think the universe owes me a soft life. It means I refuse to enter difficulty already defeated. If I ever had to stand where those parents stand, I would rather meet it as someone who still believes he is capable of greatness than as someone who spent years practicing self-erasure and then called that wisdom.

Maybe that is why karma never quite settled in my mind in its popular form. The slogan wants a clean moral physics. Do wrong, get hit. Do right, get shielded. Get proud, get slapped down. The child gets sick because the child earned it. Life does not behave that way. Good people drown. Vicious people die rich and admired. Infants get sick. Whole towns vanish in weather. And sometimes the blow that looks aimed at the smallest person in the room is actually aimed at the adults who have to outlive it.

If there is any pattern at all, it seems slower, wider, and less personal than the slogan — except in this one terrible sense, which feels personal to the bone. The child is not being punished for thoughts they never had. The parents are the ones inside the trial. The universe, if it is doing anything, is not grading a baby. It is asking what kind of people remain when the thing they loved most is placed on the altar and not given back.

I still think we should be better. Not because a cosmic clerk is watching the receipt printer, but because cruelty adds weight to a world that already has more than enough. Kindness does not guarantee safety. It does not buy immunity for your children. An honest ego does not guarantee safety either. Nothing does. What remains is the manner of the response. And if the universe is testing anyone in the death of a sick child, I do not think it is the child. I think it is the parents — and, after them, everyone who watches and decides whether to look away, explain it too quickly, or admit that some tests are not meant to make us humble. They are meant to show us whether we can still stand.

September 26, 2026
The Real Reason We Secretly Root for the Villain

Have you ever liked a villain more than the hero? Who and why?

I have always preferred the villain.

Not in the cheap, poster-on-the-dorm-wall way. Not because of the dominatrix vibes— leather looks good in low lighting— or because a monologue about destiny is more interesting than a speech about believing in yourself. I prefer the villain because the heroine keeps asking me to pretend I am someone I am not.

You know the one. She sings to animals. Birds land on her finger as if they have been waiting all morning for the privilege. Mice stitch her a dress. Squirrels pause mid-scamper to receive her wisdom. She is luminous, unguarded, and permanently slightly out of breath from all the hope. My own mother talks to the squirrels we see out the window. She does it with genuine warmth, the way some people bless the mail. I would never. I watch the same squirrel, note that it is fat and opportunistic, and go back to whatever I was doing. That is the distance.

I am, for the record, extremely optimistic. A vibes gal. I am generally whimsical. I believe in second chances, late-night plans that should not work, and the possibility that something beautiful is still unfolding even when the evidence is mixed. I am not cynical. I am just not going to perform enchantment on command. You are far more likely to find me rolling my eyes and swearing under my breath about the thing that is actually happening than composing a verse about how the forest loves me.

The classic heroine often feels like a demand. Be bubbly. Softer. Be more grateful. Be astonished by ordinary animals. Let the world rearrange itself around your goodness. The villain, by contrast, rarely asks you to lie about your temperature. They are allowed to be irritated. They are allowed to want something specific and then pursue it with unpretty competence. They notice the machinery. They do not pretend the castle is kind just because the lighting is flattering.

That is the real seduction. Not evil. Attention.

Heroes in the old template are frequently written as if awareness itself were a moral failing. To see the cost of the system, to name the bargain, to refuse the song—that is framed as corruption. Villains get to keep their eyes open. They get strategy. They get a private language. They get the dignity of not having to make every feeling edible for an audience of woodland creatures.

I do not actually want to poison the kingdom. I want permission to be complicated without being recast as the problem. I want a character who can love the world and still find it faintly ridiculous. Who can be hopeful and still say, out loud, that this particular meeting, this particular speech, this particular expectation that I will melt at the sight of a deer is nonsense.

There is a version of “relating to the villain” that is just edgelord cosplay. That is not what I mean. I mean the relief of a figure who does not require me to flatten my voice. The heroine’s sweetness is often a costume the story needs her to wear so the plot can stay simple. The villain’s sharpness is frequently just the story admitting that people have interiors.

My optimism is not the singing kind. It is the kind that survives the eye-roll. It is the kind that swears, then keeps going. It looks at the squirrel and thinks: impressive little opportunist, truly, and also I am not having a conversation with you. That is not bitterness. That is proportion.

So yes. Give me the one in the darker coat. Not because I want the throne (although I do). Because I want the room to be a person who can see the joke, keep the hope, and still refuse to perform a duet with the wildlife. The forest can keep its chorus. I will take the character who notices the wiring.

September 24, 2026
From Doom to Bloom

Instead of doomscrolling, I spend my days BLOOMscrolling—until the day I get to do something.

Wildflowers brighten a busy city sidewalk as commuters pass beneath the setting sun.

I refuse to hand my attention to the negative. Not because I pretend the world is gentle, or because I have never been marked by it. I refuse because attention is not casual. It is an offering. It is a vote. It is the raw material from which a life is assembled, hour after hour, until the hours become a person. I will not feed what I do not wish to grow inside me.

That is my energy. Vital energy. Not the thin, jittery kind that comes from outrage and endless refresh. The other kind: the kind that still knows how to turn toward light. The kind that notices a sentence that lands cleanly, a color that should not work and somehow does, a stranger’s small mercy, a piece of work made with care. I would rather give my full attention to the positive and the beautiful—not as decoration, not as denial, but as discipline.

When I say “bloom,” I do not mean flowers. Although those do make me happy. I mean the moment a person, an idea, a day, a skill, a friendship, a room, a future begins to open instead of collapse. I mean the refusal to live as a spectator of wreckage. I mean looking for what is still alive and giving it enough presence to keep living.

A luminous tree of jewel-toned leaves emerges from glowing ripples against a deep blue backdrop.

People often criticize the bloomscrolls. They treat them as proof that I am idle, ornamental, unserious—as if noticing beauty were the opposite of action, as if I were decorating my mind instead of building one. As if I were not already doing something. As if attention itself were not labor. As if keeping the spirit from rotting were a hobby rather than a form of work.

But I know what it costs to stay open. I know how easy it is to mistake constant reaction for usefulness, and constant despair for depth. Doom has a way of dressing itself up as engagement. It tells you that if you are not consuming the worst of everything, you are not awake. I do not believe that. I believe some of us are gathering strength. I believe some of us are protecting the part of ourselves that will be required later—when there is something to make, to mend, to begin, to carry.

Bloomscrolling is not innocence. It is a practice. I scroll toward what expands me. Toward what is well-made. Toward what is kind without being weak, and beautiful without being empty. Toward proof that something can still ripen. I collect the evidence that life is not only erosion. I let my mind linger where there is form, color, humor, craft, courage, tenderness, astonishment.

And I wait—not passively, not as someone hiding—but as someone gathering. Until the day I get to do something. Until the waiting becomes motion. Until attention becomes action. Until the energy I have protected is spent on making, not merely witnessing.

Until then, I keep choosing the bloom. Not as a slogan. Not as an escape. As a way of staying intact. As a way of remaining capable. As a way of doing the first necessary thing: refusing to go dark before the work even begins.

September 22, 2026
My First Paycheck at 36: Turning a Quiet Hobby into Real Work

I just got my first paycheck today.

I’m 36.

That sentence still feels strange to write. For most of my adult life I assumed a “first paycheck” was something that happened in your early twenties—something you celebrated with cheap champagne and a slightly embarrassing Instagram caption before life moved on. Mine arrived later, after years of personal work that never came with a stub, a deposit, or the quiet little thrill of seeing your name next to a number that someone else decided your time was worth.

For a time that work was my mother’s spa. I grew up in that space. I learned how to fold towels the exact way she liked them, how to greet a regular by name before they even sat down, how to mix oils so the scent lingered just long enough after a client left. I learned the business side too—inventory, bookings, the particular diplomacy required when someone is unhappy with their facial but does not quite know how to say it. I was good at it. I was useful. And for years that felt like enough.

It was also, if I am honest, a kind of postponement. Helping her was not just love and duty; it was a way of staying inside a story that already made sense. I had time to achieve my goals (aka perfection). The spa had its own rhythm. My days had a shape. I did not have to answer the question of what I wanted to build.

The thing I wanted to build started was not a career or a legacy. As a younger woman all I wanted was a beautiful body and excellent grades. I only started writing as a hobby. A place to grieve during my lonely university years. Something I did because it made my brain quiet. I did not treat it like a career. I treated it like oxygen. I practiced. I got better. I shared a little of it with friends. One of those friends runs her sister’s business. During a coffee date, she asked if I could help with the website. I said yes before I had time to talk myself out of it.

That yes turned into freelance work. The work turned into invoices. And today one of those invoices turned into a paycheck with my name on it.

It is not a fortune. It does not rewrite the last decade. It does not erase the years I spent pouring energy into someone else’s dream because it was also, in many ways, the family dream. But it is mine. It is proof that the thing I kept doing in the margins—the thing I almost dismissed as “just a hobby”—had weight. That it could travel outside the house. That someone would pay for it.

I keep thinking about how late this feels and how on time it also feels. Thirty-six is not old. It is also not the age the culture usually hands you a first-paycheck story. I have always been a late bloomer, just look at my first [and only] relationship. There is a particular tenderness in arriving here after you have already learned how to be responsible, how to keep running even when you are tired. The version of me who is cashing this check is not the same person who might have received one at twenty-two. She knows more about endurance. She also knows more about what she is unwilling to abandon.

I am proud of the years at the spa. I am proud of my mother. I am proud of the part of me that showed up there. And I am proud, in a quieter, newer way, of the part that kept the hobby alive long enough for it to become work.

Tonight the paycheck is just a number in an account. Tomorrow it will start becoming something else—a little more room to keep going. Mostly it is a marker. A first one. Proof that a passion practiced in the leftover hours can eventually walk out of the leftover hours and stand on its own.

I’m late, I guess.

I’m also exactly here.

A flower-lined woodland path winds through lush trees toward a warm, sunlit meadow.

September 18, 2026
Wake Me Up When September Ends.

I miss him in a way that settles into the bones. It is not a passing ache or a fleeting thought that comes and goes with the weather. It is the kind of missing that lives in the quiet hours, in the space between one day and the next, in the moment just after I close my eyes and just before I open them again. I wish more people understood how much it hurts every time I have to kiss him goodbye. Those goodbyes are never casual. They are small ruptures. Each one feels like tearing something tender that has only just begun to knit itself back together. The kiss is soft, familiar, full of everything we cannot say out loud in the time we have, and then it is over, and I am left in the aftermath of it, carrying the weight of the next stretch of distance.

For many years I lived with an extremely lonely and broken heart. That is not poetry. It is simply what it was. I was miserable in a deep, unshowy way that does not photograph well and does not invite easy comfort. The kind of misery that makes ordinary mornings feel like work. Everyone abandoned me when I got sick. I do not say that for drama. I say it because it happened. People I thought were permanent grew distant, then silent, then gone. Some left because they did not know what to do with illness. Some left because my world became smaller and less convenient. Some left because I changed.

Yes, I formed my own opinions. I stopped performing the version of myself that made other people comfortable. I became sharper in places, quieter in others, less willing to pretend that everything was fine when it was not. That may have alienated people. I accept that now with less bitterness than I used to. At the time I did not have the purpose or the desire to heal and get better. Healing requires a reason to stay in the fight, and I did not have one. Everything seemed worthless. The future felt like a hallway with no doors. Effort felt pointless. Getting out of bed felt like an argument I kept losing.

Until now.

It has been nearly four years since my man and I physically met. Three years before that were full of screens and voices and the strange intimacy of people who know each other’s silences before ever even touching. That number still surprises me when I say it out loud. We have not had the ordinary accumulation of shared rooms, shared meals, shared weather. What we have had instead is his constant support and his steady encouragement. He did not arrive with grand speeches or easy fixes. He stayed. He listened when I had nothing graceful to offer. He reminded me, again and again, that I was not as finished as I believed I was.

That kind of presence does not transform a life overnight. It works incrementally. A little more willingness to try. A little more belief that effort might not be wasted. A slightly firmer sense that my status in life is not fixed in the place where illness and loneliness left it. I am not writing this from a mountaintop. I am writing it from the middle of the climb, still missing him, still feeling the sting of every goodbye, still carrying the old loneliness in certain rooms of myself. But I am no longer living as if everything is worthless. That shift matters more than I once thought it would.

I miss him. I will keep missing him until the next time we can close the distance, however briefly. And when that time comes, I will kiss him knowing exactly what it costs to let go afterward. I will do it anyway. Some things are worth the ache.

September 16, 2026
The Year I Would Relive Has Not Happened Yet

If you could relive one year of your life, which one would it be?

The year I would relive has not happened yet.

An open window reveals a moonlit valley while a cozy chair invites quiet reading.

I keep turning that sentence over in my hand like a stone I found on the beach. Smooth. Heavy. A little warm from being held too long. Most people, when asked which year they would live again, reach backward. The summer they were twenty-two. The winter everything still felt possible. The year before the diagnosis, or the accident, or the slow unfolding of whatever it was that rearranged their life. I understand the impulse. I have my own catalog of almosts and if-onlys. There always seems to be something I would like to change.

I would never do it though.

Glowing coral and gold lines converge across a moody blue textured background, evoking movement and inspiration.

I say that with the same half-superstitious firmness I use when I knock on wood. Everything happens for a reason. I have repeated the phrase so many times it has worn a groove in me. Some days it feels like wisdom. Other days it feels like a lullaby I repeat so I will not scream. Both can be true at once. The body learns to live with contradictions the way it learns to live with weather.

Still, I froth at the mouth when I envision my future.

A vintage chair rests beside an open window as sheer curtains drift in the sunlight.

Not the glittering, cinematic future. Not the one with applause or sudden wealth or a body that has never known limitation. Just a simple little life. Ordinary in the way sunlight on a kitchen table is ordinary, which is to say: almost unbearable in its tenderness if you look at it long enough.

With him.

The sentence does not need embroidery. With him. The two words sit in the center of the picture like a house with the lights already on. I see the unremarkable days first: grocery lists, the sound of an espresso machine, the particular way someone who loves you says your name when they are only half awake. I see the quieter victories. Getting through a morning without bargaining with pain. Walking a little farther than last month. Laughing at something stupid and not having to pay for it later with exhaustion. A life that does not constantly announce itself as a project of endurance.

And without disability.

A luminous winding path flows through a dreamlike blue landscape toward the rising sun.

I write that last part carefully, because I know how it can sound. I mean the specific, private longing for a version of days that do not require so much translation. Days in which my body is not a burden Days in which the body is not the first negotiation. Days in which “simple” is actually simple.

I froth at the mouth thinking about it. The phrase is ugly and exact. Anticipation that is almost feral. Hope that has teeth. I am not serene about the future. I am hungry for it.

An open journal and fresh coffee create a peaceful, sunlit writing retreat.

The paradox is that I would not go back and unscrew the past to get there. I would not trade the particular chain of hours that led me to this exact now, even the hours that hurt. Everything happens for a reason is, in my mouth, less a philosophy than a truce. I will not pretend the suffering was decorative. I will also not pretend it was meaningless. Meaning is something we make afterward, with whatever materials we have left.

So the year I would relive is still ahead of me. It has no date yet. It might look, from the outside, almost dull. A rented apartment or a small house. A person I already know how to love. Mornings that do not begin with inventory. Evenings that end without calculation. The ordinary miracle of a body that cooperates more often than it argues.

I want that year so badly I can taste metal.

A winding path leads through a flower-filled meadow toward a glowing sunrise.

And if it arrives, I will not spend it wishing I were somewhere else. I will try to live it the first time the way people live the years they later want back: imperfectly, gratefully, with both hands.

The year I would relive has not happened yet.

I am still walking toward it.

September 6, 2026
Embracing Autumn: Love, Football, and Fuzzy Socks

I love football. I love the first Patriots kickoff of the year, that stupid surge of hope. I even love pumpkin spice, the whole corporate autumn circus, the lattes that taste like a candle and a dessert had a baby. What I do not love is being cold. Being cold all the time is depressing as hell. It does not feel seasonal or charming. It feels like the air is quietly stealing from you.

Everyone else is out here romanticizing the -ber months like September through December is a personality. Sweater weather. Cozy season. Holiday magic. I am not buying it. I am not looking forward to any of it. Maybe that is because I do not have a man here to warm my feet, so I sleep in my fuzzy socks like I am hiding from the temperature. Fuzzy socks in bed. Slippers and socks all day. I look like I am preparing for a blizzard that never quite arrives. Cold is not “crisp.” Cold is just uncomfortable. It makes the house feel like it is working against you.

What I actually want is a body next to mine. Not the holiday version. The everyday version. Cuddle weather should not be a seasonal event. I want it when it is raining, when it is ugly out, when there is nothing special happening. This time of year just turns the volume up on the distance. I loathe that part. The earlier dark, the extra blankets, the empty side of the bed all start sounding the same sentence: he is not here.

And still. I love the holidays. I love that he visits. I love the stretch of days when the house finally has another pulse in it and my parents and I briefly look like an actual family instead of three people orbiting the same rooms. He does that. He stitches it together. Those visits are the only reason I tolerate the rest of this stretch.

A festive place setting sits beneath Christmas lights beside a December calendar marked for an empty seat.

So here is the whole messy thing: I love that football is back. I love the ridiculous coffee flavors. I love being with him when he is here. I just do not miss the cold, and I do not miss having to wear a second life of clothes just to exist indoors. I prefer not to wear clothes at all. Autumn can keep its aesthetic. I want heat, contact, and someone on the other side of the mattress who does not disappear.

September 5, 2026
HAPPY BIRTHDAY DADDY

Happy Birthday to the Man Who Taught Me How to Believe Again

Happy birthday to my man.

I met you in a season of my life when I no longer believed in love. Not the kind people write about. Not the kind that lasts. Not even the kind that felt safe enough to hope for. I had already decided that some parts of a person stay locked away forever, that certain armor is worn for a reason, and that loneliness, once it settles in, is simply the new normal.

Then there was you.

You did not arrive with grand speeches or instant certainty. You arrived with time. With persistence. With a patience so steady it felt almost unbelievable at first. Little by little, you taught me how to believe in love again. More than that, you taught me how to believe in myself. I am forever grateful for your pure heart and for the quiet, consistent way you made space for me to grow into someone I had only ever pretended to be.

When we first met online, I did not know myself. Not really. I portrayed the version of me I wanted to become. Fake it till you make it, I told myself. I showed up as someone lighter, more open, more possible than I felt on the inside. Most people would have grown impatient with the gap between the performance and the person. You did not. You were kind enough, and patient enough, to wait while I slowly eased out of my shell. You let me become more feminine. You let me set down the armor I had been wearing for years. You never treated my caution like a flaw. You treated it like something that could, with enough safety, finally rest.

By the time we met in person, I had already dedicated my life to you. That dedication did not happen in a single dramatic moment. It happened in the months and years of messages, of waiting, of watching each other become more ourselves. I had a front-row seat as you grew into the incredible man who stood in front of me in November 2022. I saw the becoming. I still see it.

Our lives intertwined when we were in completely different places. Different cities. Different time zones. Different realities. Different versions of what we thought the future would look like. None of that mattered as much as the fact that we kept choosing each other. Now I am completely addicted. I only want more. Not more noise or more spectacle. A simple little life entirely dedicated to you. That is the life I want.

There was a time I wanted life to end. After I became disabled, after the loneliness became so complete it felt like the air itself had thinned, I could not imagine excitement ever returning. Days ticked forward without purpose. Hope felt like a luxury I could no longer afford.

And then you.

You made me feel excited for life again. Not in a vague, inspirational way. In a specific, daily, breathtaking way. I wake up wanting the next day because you are in it. I look forward to ordinary hours because they belong to us. I cannot wait to start this new life with you. The one we have already been building in pieces, across distance and difficulty, until it finally becomes the only life I want.

Happy birthday to the kindest, most loving man who has ever come into my life.

Thank you for seeing me before I knew how to be seen. Thank you for staying. Thank you for making a future feel possible again.

I love you. I am yours. And I cannot wait for everything that comes next.

September 1, 2026
September: A Month for Routines and New Beginnings

September is here. The calendar has flipped, the light is shifting, and the year has entered its most transitional stretch: still warm in many places, already carrying the first hints of autumn in others.

A new month is a clean page. It is also a reminder that most of what we actually do with time is continue the conversations we were already having. If we have been talking about routines, projects, travel, food, or how to start something again, September is a useful month to pick those threads back up instead of pretending we are starting from zero.

Labor Day weekend in the United States and Canada marks the unofficial close of summer. Schools reopen. The autumnal equinox arrives around the 22nd or 23rd, when day and night briefly balance. Around the world there are observances for literacy, peace, the ozone layer, and tourism. None of these dates require you to reinvent yourself. They simply give the month a rhythm.

A sunlit stone path winds through lush grasses, flowers, and colorful autumn foliage.

The useful move is usually modest. Finish the half-done thing you mentioned last time you asked how to get unstuck. Try the recipe or the itinerary you were weighing. Adjust the schedule you were already trying to make work. September rewards continuation more than spectacle.

The days are still long enough to use. The evenings are starting to feel different as now when I get outside to write, my body covers itself in goose pimples. That is enough of a reason to treat the month as an invitation rather than a demand.

Welcome to September. Let’s keep going with whatever we were already working on.

September 1, 2026
Dinner with F. Scott Fitzgerald: The Allure of Literary Luxury

Which author would you love to have dinner with?

If I were to have dinner with an author, it would be F. Scott Fitzgerald. Not because of the obvious masterpiece everyone names first—The Great Gatsby—but because he understood luxury as a temperature, a texture, a way of moving through a room. He did not merely describe wealth. He lived inside its shimmer and its hangover, and he wrote as if both were equally sacred.

A richly appointed library lounge invites quiet reading beneath a glowing chandelier and tall arched windows.

I have never been especially moved by stories that ask me to stay where I already am. Many people prefer fantasy worlds they can visit and leave, or novels that feel “relatable,” which often means ordinary kitchens, ordinary disappointments, ordinary weather. I have always been drawn the other way: toward silk, late hours, expensive mistakes, and the particular loneliness that arrives when the party is still going and you realize you are the only one who notices the light has changed. Fitzgerald paints that picture better than almost anyone. He makes luxury look not like a shopping list but like a climate.

The Great Gatsby is the public cathedral. It is the book of the green light, the orchestra, the rumor. It is magnificent. But The Beautiful and Damned is the private room. Anthony Patch and Gloria Gilbert are not striving toward a dream so much as they are already inside one and slowly ruining the furniture. They are beautiful, idle, certain the future will keep paying their bills because it always has. They drink, they quarrel, they buy a second house they cannot afford because the idea of a gray country house is prettier than the math. They treat inheritance like weather: something that will arrive if you wait long enough in the right clothes. I recognize that hunger. Not the poverty of wanting more, but the more dangerous appetite of people who already have enough to be ruined by taste.

Dried roses, scattered letters, and golden dust create a hauntingly romantic still life.

Fitzgerald and his wife Zelda lived the same plot in public. Newly famous, they took over hotel lobbies as if the city were a set built for them. They spun in revolving doors, slid down banisters, jumped into fountains, arrived at parties on all fours, locked a jazz band in a bedroom and made it play until morning. They crossed the Atlantic with too much luggage and rented villas above the Mediterranean because New York had become too loud and too expensive for the kind of living they refused to scale back. He wrote about living on practically nothing a year while still ordering champagne. The contradiction is the point. Luxury, in Fitzgerald, is never only possession. It is performance, mood, and the brief conviction that beauty can postpone consequence.

A warmly lit fireside table is prepared with champagne, flowers, and handwritten invitations.

That is why I want dinner with him rather than a seminar on his most famous novel. I do not want the monument. I want the man who knew that parties are intimate precisely because they are large, that the very rich are different because they possess early and grow soft and cynical in places the rest of us stay hard, that “eat, drink, and be merry” is both a philosophy and a slow form of suicide. I want the writer who could make a cloth-of-gold dress and a platinum ring feel like plot. Zelda once advertised The Beautiful and Damned by listing the clothes she could buy if enough people purchased the book. That is not a joke to me. That is the aesthetic I live toward: art that funds the next beautiful object, beauty that funds the next sentence.

Dinner would not be modest. I imagine a table that looks casually expensive and is, in fact, carefully so: low light, heavy silver, something cold and gold in the glass, a room that smells of perfume, cigarette smoke, and citrus from a bowl no one will eat. He would talk too much and then go quiet in a way that makes you lean in. He would notice the cut of a jacket before the content of a confession. He would be funny about money and then suddenly exact about it. He would understand, without needing it explained, why some of us do not want stories that return us to the life we already know how to survive. We want stories we can project onto the life we are trying to inhabit: the late dinner, the borrowed glamour, the risk that beauty is both the prize and the damage.

The Beautiful and Damned is that projection. It is not a cautionary tale I read in order to become more responsible. It is a mirror I hold up when I want to see the version of myself that still believes atmosphere is a moral category. Anthony and Gloria fail, of course. They waste time, money, youth, and each other. Fitzgerald knew the bill always comes. He just refused to pretend the evening was not worth it while the candles were still lit.

More stories about that, please. Not more worlds of dragons or more kitchens of quiet endurance. More rooms where the lighting is unforgivable, the clothes are too fine for the bank balance, the conversation is half seduction and half autopsy, and someone at the table still believes that if you live beautifully enough, the universe might keep the lights on a little longer. Fitzgerald made that belief look like literature. I would like to sit across from him and see whether, for one night, it still looks like a plan.

August 30, 2026