Tag: feminism

  • From Homewrecker to Homemaker.

    From Homewrecker to Homemaker.

    What is your career plan?

    The “It” Girls—the glossy, untouchable, “main character” women who once defined the era—are quietly, deliciously, scandalously… going domestic. Yes, those girls. The ones who used to jet-set to Mykonos in mini dresses, post mirror selfies in vintage Dior, and make “hot girl summer” a global brand. We are now knee-deep in homemade pasta, linen napkins, and 6 a.m. lattes brewed in our own perfectly imperfect kitchens.

    This is not your grandmother’s homemaking. This is haute homemaking. Cottagecore on ‘roids and cashmere. The new “It” Girl is not just nesting—she is curating a whole aesthetic religion around it. Think: barefoot in a silk slip dress whisking eggs, filming 45-second reels of her sourdough rising while her engagement ring catches the golden hour light, (🙏🏼🙏🏼🙏🏼). She is not hiding the domestic labor. She is flaunting it because it is the ultimate flex.

    Remember the 2010s “It” Girl blueprint? Hustle. Club to boardroom. Rosé all day. Side hustle turned empire (you can still rosè in the kitchen!). Burnout was a badge of honor. “I have not slept in three days but the bag is secure.” We were sold the fantasy that real power looked like never being home long enough to need a vacuum.

    I am not someone who claims that the pandemic caused this renaissance. Articles claim that post-pandemic exhaustion hit like a truck and that is why we are choosing to stay home. The “girlboss” script started sounding hollow—lonely hotel rooms, endless content creation, dating apps full of situationships, and a quiet ache that no amount of brand deal could fill. Personally, I see that the same women who once bragged about never cooking (famously Carrie Bradshaw in Sex in the City kept her sweaters in the oven!) are posting stories of them slow-roasting a chicken with rosemary from their windowsill garden.

    It is seen as rebellious/ controversial because it is a direct middle finger to the narrative we have been force-fed for decades: domesticity equals oppression. That wanting a beautiful home, a stocked fridge, and a man who comes home to the smell of garlic and love is somehow regressive. The hottest, most followed, most desired women on the planet are proving the opposite—homemaking done right is high-value, high-status, and insanely seductive.

    Walk into any cool girl’s apartment in 2026 and you can see it: the Le Creuset Dutch oven in a tasteful color, the vintage rolling pin displayed like art, and of course the sourdough starter. They are not just cooking—they are romanticizing the mundane. Morning dewy skin routines followed by watering herbs. Evening candlelit dinners they actually prepared instead of ordering from some immigrant driver.

    This is not tradwife cosplay for the poor. These are women with options. Models. Influencers. Actresses. They could be on yachts in Ibiza but they are choosing farmers’ markets and Sunday roasts. Why? Because it feels good. It feels feminine. It feels like control in a chaotic world.

    And let me be brutally honest—the men are losing their minds over it (at least mine is!). There is something primal about watching a beautiful woman who could have the world at her feet choose to pour that energy into creating a sanctuary. It hits different. It is not submission; it is sovereignty. She is not forced into the kitchen. She claimed it as her “queendom.”

    Hence, modern career feminism sold women a version of success that left many emotionally bankrupt. The “It” Girls who are “opting in” to homemaking are not rejecting ambition—they are redefining it. They are building empires in the home. We are not anti-work. We are anti-misery.

    Of course the purists are furious. “This is anti-feminist!” “You are setting women back!” Meanwhile those same critics are stress-eating takeout alone in their minimalist apartments wondering why their stress is through the roof. The new homemaker “It” Girl does not care. She is too busy teaching her followers how to make the perfect bolognese while looking like a Renaissance painting.

    This movement exposes the lie: that fulfillment can only come from cubicles and corner offices. That domestic skills are beneath a “modern woman.” The “It” Girls are proving domesticity—when chosen freely and done beautifully—is one of the ultimate luxuries.

    They are not trapped. They are thriving. Soft lighting, slow mornings, real food, real connection. And yes, sometimes a hot husband who worships the ground they walk on because they make the house feel like heaven.

    You do not need to quit your job tomorrow. But maybe the “It” Girl homemaker renaissance is permission to stop demonizing the domestic. To light the damn candle. To learn how to roast vegetables everyone asks for the recipe. To make your space so warm and intentional that people feel it the second they walk in.

  • A League of Their Own: Reimagining Feminism

    A League of Their Own: Reimagining Feminism

    In a world drowning in performative activism and corporate girlboss-ness, I find myself returning to one movie that actually gets feminism right: Penny Marshall’s 1992 classic A League of Their Own.

    The film does not lecture you. It does not scream about the patriarchy or demand that you affirm anyone’s feelings. Instead, it shows women rolling up their sleeves, stepping onto the baseball diamond, and proving they belong—not because someone owed them a spot, but because they earned it through talent, grit, and sheer stubbornness.

    Real Empowerment, No Victimhood Required

    Set during World War II, A League of Their Own tells the story of the All-American Girls Professional Baseball League. With the men off fighting, these women were not waiting for permission or special treatment. They tried out, competed fiercely, and played real baseball in front of skeptical crowds. The movie nails the tension between traditional expectations (“be ladylike!”) and the raw reality of sliding into bases, spitting tobacco, and throwing like you mean it.

    The women face ridicule, ridiculous uniforms, and mandatory charm school, yet they respond by getting better at the game. That is the kind of feminism worth celebrating: one that expands opportunity through excellence rather than lowering standards or rewriting rules.

    Tom Hanks delivers one of his most quotable performances as Jimmy Dugan, the washed-up, foul-mouthed and drunken manager who starts off dismissive of his new team. He dives into his arsenal of acting skills and proves to one of the greatest/ all encompassing talents to watch. His arc from cynical has-been to proud coach is pure gold, and his legendary “There’s no crying in baseball!” rant remains one of the funniest moments. Hanks does not mansplain or apologize for his initial attitude—he grows because the women force him to see their competence. It is organic character development, not a scripted takedown of toxic masculinity (because clearly there is no such thing!).

    The supporting cast is stacked in the most 90s way possible. Madonna as “All the Way” Mae brings swagger and showmanship, and Rosie O’Donnell as Doris provides heart and humor. Watching them now is oddly nostalgic—they were vibrant, funny, and unapologetic without being cringe with the heavy ideological baggage they now adopt. It is a reminder of a time when pop culture could just be fun instead of a constant sermon.

    The whole ensemble feels like a genuine team. These characters have flaws, rivalries, and personal stakes, but they are never reduced to their gender or used as props for a message. The feminism emerges naturally from the story: women being capable, competitive, and resilient when given the chance. Not women who think that they are superior to men.

    A League of Their Own celebrates women’s strength without tearing down men or pretending biology does not matter on the field (obviously women sports are not as competitive/ popular as men’s and that is OK). It shows sisterhood that includes healthy competition. It acknowledges hardship, (as the whole reasoning behind this team is the separation from loved ones during war) without wallowing in it. It is, thus, extremely patriotic—Most importantly, the women win respect by playing well, not by demanding it (*cough, cough * Women’s USA Soccer Team).

    In contrast to today’s discourse, which often frames women as perpetual victims needing protection from “the system,” this movie says: Here is an opportunity—go seize it. And they did. The real AAGPBL players inspired the film, and their legacy still feels refreshing thirty-plus years later.

    If more modern feminism looked like the Rockford Peaches—tough, talented, and focused on achievement rather than outrage—I suspect a lot more people would get on board.